Scribes! Kind of figured this just might be worth a good read. Opinions?

http://feedproxy.google.com/~r/EverythingTheatre/~3/QUAQqMi2Kw4/love-love-love-lyric-hammersmith-review.html

How goes it Writers, this may be worth a scan.

Love, Love, Love, Lyric Hammersmith – Review

Love, Love, Love is a play for all generations and one which everyone will identify with differently based on their lived experience. Mike Bartlett takes full advantage of the three act structure, taking us from 1967 to 2011 in the space of one evening. We follow couple Kenneth and Sandra from when they first meet at the height of Beatlemania in the 1960s through to testing family life and finally retirement. There is an interval between each act which feels apt considering the great time jumps and allows us to keep a certain distance from the action. The fourth…

Summary

Rating

80

Excellent

A bit of theatre magic

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Love,
Love, Love
is a play for all generations and one which everyone
will identify with differently based on their lived experience. Mike Bartlett
takes full advantage of the three act structure, taking us from 1967 to 2011 in
the space of one evening. We follow couple Kenneth and Sandra from when they
first meet at the height of Beatlemania in the 1960s through to testing family
life and finally retirement. There is an interval between each act which feels
apt considering the great time jumps and allows us to keep a certain distance
from the action.

The fourth wall is very much up in this production. As
part of the set a huge rectangular frame is positioned at the front of the
stage. It’s as if we’re watching TV, tuning in to see how events unfolded over
time. Joanna Scotcher’s set is changed for each act and successfully captures the
feel of every era. The audience gets a slice of theatre magic whenever the
curtain raises and a new set is revealed.

This play’s charm is in its satirical comedy. The
structure feels almost skit-like, as if we’re flicking through TV channels, an
effect which works in direct opposition to the action on stage. The first act
is one of idealism, with cartoonish wigs and a psychedelic print dress: it all
feels light-hearted and nostalgic. Oh the glory days! Fast forward 23 years and
we’re witnessing a family falling apart at the seams as they chomp on birthday
cake. It’s dark and twisted but makes you chuckle. Bartlett masterfully plays
with the dialogue, treading the line between light and dark.

It all comes to a head in the third act when daughter
Rose pleads for her parents to buy her a house and their son Jamie’s condition
has deteriorated. Love, love, love seems to have been replaced with resentment,
irritation and dejection. The loving parents are completely out of touch with
their children. Kenneth boasts about making four times his daughter’s salary in
retirement without even lifting a finger, as Bartlett shows how out of touch the
older generation has become. There is now a class and social divide between
parents and children. They are at opposite end of the spectrum. No amount of
love can combat it or help them understand each other. Love isn’t all you need.

The performances on show are a real highlight.
Nicholas Burns and Rachael Stirling are able to bring charisma and playfulness
to their somewhat dislikeable characters. They play all three ages with
subtlety and conviction, as do Isabella Laughland and Mike Noble, who swap from
14 and 16 year olds to middle aged adults. Patrick Knowles as Henry also gives
a commanding performance in the first act. The company gels well together and
the production as a whole feels cohesive as it jumps through time, a credit to
director Rachel O’Riordan. I would definitely try and catch this production if
you have the chance.

Written by: Mike Bartlett
Directed by: Rachel O’Riordan
Produced by: Lyric Hammersmith
Booking Link: https://lyric.co.uk/shows/love-love-love/
Booking Until: 4 April 2020

Was I right on?
Maybe it was just me.