Persons of Letters! Thinking this may justify a good read. What do you think?

Hey Bored Readers, this just might be valuable.



We’re all guilty of this… early on during the start of our screenwriting journey we’re too eager to unleash our latest screenplay to be read — many times by people we don’t personally know. Many writers are so excited to receive praise for their hard work they don’t take the time to polish and proofread their material. I’ve read scripts with five or more typos/format issues per page. That’s 500 or more issues in the entire screenplay! It doesn’t make for a smooth read or a good first impression.


Imagine the reader’s thoughts about the screenwriter and the image portrayed from the presentation of the work. It’s certainly not that of a professional because they would never allow their work to be seen without proofreading it. The script is not just all about whether the inciting incident is in the correct place or if the second act kicks in on the right page — the presentation of your work is vital to the read and ultimately its success. A screenplay lives or dies by a thousand details, and if it doesn’t get past the first read it’s finished.

pitchYour image as a screenwriter who cares about details will also suffer from this disrespect of the craft and the screenwriting process. Now imagine that producers are reading your script to consider if they should hire you for an assignment job. They can’t get through the first read because it’s heavy with typos, missing punctuation, and dodgy format issues. Do you think their first impression of you will instill confidence in your ability to write their project? They would certainly think if you didn’t respect the craft enough to present your work in the best possible way — why would you change your methods if they hired you? It’s hard to change that first impression too.

It’s also shows a lack of respect for the reader’s time, as you will force them to suffer through a minefield of issues on every page. This certainly doesn’t help with their view of you as a professional either. I ask screenwriters, “Would you turn in your script with coffee stains and smudges on the pages?” Their response is always, “Of course not!” Okay, then why do the same thing with your words and the format?

B3Q_B2CIQAAOQ4LI also hope this goes without saying, but I’ll say it—after you give your script to someone to read, do not call a week later and say, “I hope you didn’t read it. I have a new draft.” I have been the recipient of this too many times to remember. It’s disrespectful, unprofessional, and red flags you as an amateur who doesn’t understand the proper protocol of a read. I remember starting a script and being half way through when the writer calls me about a “new draft.” My time reading half of that script was wasted because I’m now being asked to read it again, but with changes. The agreement was one read — period. Everyone is busy and if the reader is doing this as a favor they will not appreciate the request for a late switch up. If you do this to professionals in the film industry, they will remember and you’ll probably never get a read again.

the long journey of a screenwriterMy final piece of advice… practice patience. I know you’re riding on a creative high after you finish your screenplay and you want praise for your hard work. This is the time to be patient. Go back over your work and read every word. Also accept that it’s a long road to becoming a working screenwriter and forging a career usually doesn’t happen overnight. If you are in this for the long haul, it will require tremendous patience. Even becoming a better writer does not happen overnight and requires you to continually write, learn, and write projects that will ultimately not sell. Your journey as a screenwriter will be a series of failures and mistakes, triumphs and successes, and when added up will hopefully lead to a career as a working screenwriter in Hollywood. The process will be long and arduous, but if you have patience and accept the challenges ahead, you’ll focus more on your love and respect for the craft and not the urgency of success. Everything comes in its proper time with proper experience and opportunity.

Keep the faith and always keep filling your blank pages.

Scriptcat out!

Copyright © 2020 Mark Sanderson. All rights reserved. My Blank Page blog.

New script or draft? Need in-depth consultation on your script before you unleash it upon Hollywood? Click on the icon below for the link to my website and more information about my notes packages and mentor programs.


Need help navigating Hollywood’s trenches in this New Year? Consider my book “A Screenwriter’s Journey to Success” now available on Amazon. Click on the book for the link to Amazon and more information.

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It’s a long haul journey to reach any level of screenwriting success. If your passion drives you to embark on this crazy adventure of a  screenwriting career, you’ll need to prepare for survival in Hollywood’s  trenches. Talent is important, but so is your professionalism and  ability to endure criticism, rejection, and failure over the long haul.  The odds may be stacked against you, but the way to standout in this  very competitive business is to create a solid body of work and build a  reputation as a team player and collaborator. The rest is just luck — a  prepared screenwriter who meets with an opportunity and delivers the  goods. “A Screenwriter’s Journey to Success” will help you prepare for  your own journey with the necessary, tips, tricks and tactics that I’ve  developed over the past twenty years of working in the film industry.  It’s time to start living your dream as a screenwriter in Hollywood.



Check out actor/writer/showrunner John Lehr’s  (the original Geico Cavemen!) podcast where he interviews me for the second time and we chat about the crazy journey working in Hollywood as writers. Click on the icon below for the link to the Sound Cloud podcast.

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